Clarinet choir

A piece for clarinet ensemble with soloist, in the festive spirit of klezmer music. Also available for: – Clarinet and string quartet (unpublished, please contact me) – Clarinet and piano (unpublished, please contact me)

“POLKA DE LA CLEF DE 13” A short piece, joyful and full of humor, written for the Collectif de Clarinettistes du Rhône and Nans Moreau.

In gratitude to Buffet Crampon for their service after my clarinet mouthpiece broke, here is Danse du pavillon for clarinet quartet, written shortly after receiving the replacement mouthpiece. The material can also be found here  with separate parts, score, playback for the solo part, and bass in C.

A piece for accordion, clarinet ensemble, 2 violins, cello, double bass, and drums, based on the myth of Sisyphus.

It is a tribute to Nelson Mandela, symbolically modeled on, structured around, and developed from the life of the man himself. It evokes, in turn, a vision of Africa with its songs and dances, the birth of “Madiba” and his development, the rumblings of apartheid… Followed by 27 years of...

A musical joke for clarinet quartet or clarinet ensemble. The full title is: Tanze um, über und in der Pfütze Plitsch-Platsch. Which literally means: dance around, above, and in the puddle “splash.”

Concerto for clarinets. This concerto is written for clarinet choir and solo clarinet. It consists of a series of dances highlighting one of the instruments of the clarinet family in each of its five movements: Bb clarinet, bass clarinet, basset horn, piccolo clarinet, contrabass clarinet, and an encore featuring all...

Concerto for clarinets. This concerto is written for clarinet choir and solo clarinet. It consists of a series of dances highlighting one of the instruments of the clarinet family in each of its five movements: Bb clarinet, bass clarinet, basset horn, piccolo clarinet, contrabass clarinet, and an encore featuring all...

A piece for clarinet ensemble and soloist(s) for a journey to India, composed of an introduction in Raga mode, a theme, followed by a question-and-answer section with the soloist(s).